In her genre-bending 1994 text, The Monkey’s Mask, Australian poet Dorothy Porter blurs the boundaries between novel and verse, constructing a taut erotic thriller that subverts our expectations of the constituents of noir fiction.
art, fiction, poems, reading, flights of fancy
In her genre-bending 1994 text, The Monkey’s Mask, Australian poet Dorothy Porter blurs the boundaries between novel and verse, constructing a taut erotic thriller that subverts our expectations of the constituents of noir fiction.
